Kamis, 31 Desember 2015

* Download Ebook Fodor's The Complete Guide to the National Parks of the West (Full-color Travel Guide), by Fodor's

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Fodor's The Complete Guide to the National Parks of the West (Full-color Travel Guide), by Fodor's

Expanded Coverage: Highlights include deeper coverage of outdoor adventures like hiking and rafting in the National Parks of the American West. 

Illustrated Features: Rich full-color features help travelers to the National Parks of the West make the most of top experiences, from white-water rafting on the Colorado River and understanding Yellowstone's geothermal features to choosing a historic lodge and stargazing. The illustrated field guides to wildlife and geology make identification a snap. 

Indispensable Trip Planning Tools: This book is not only indispensible on the ground; it also makes choosing a park simple. Thirty-seven United States western national parks are divided by state in the What's Where section so it's easy to decide which parks to see together. Nine customizable driving tours do the work of planning a road trip. The Best of the National Parks section breaks down the parks by themes, such as parks for day trippers, for spotting wildlife, and for inspiration. The new Outdoor Adventures section lists the best parks for hiking, rafting, rock climbing, and camping. Everything needed to plan a visit is here, from information on discount park passes and what to pack to tips for families and photographers. Each National Park has a convenient overview with highlights and practical advice for getting around, plus information on activities, dining, and lodging in and around the park. 

Discerning Recommendations: Fodor's National Parks of the West offers savvy advice and recommendations from local writers to help park visitors make the most of their trip. Fodor's Choice designates our best picks, from hotels to activities, while "Word of Mouth" quotes from fellow travelers provide valuable park insights.

  • Sales Rank: #810004 in Books
  • Published on: 2012-05-01
  • Released on: 2012-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.97" h x 1.29" w x 5.25" l, 1.85 pounds
  • Binding: Paperback
  • 920 pages

Most helpful customer reviews

28 of 28 people found the following review helpful.
Right on
By Jean Ann
Fodor's The Complete Guide to the National Parks of the West has plenty of detail without being overwhelming. We particularly liked the guide's suggestions of what to see and do based on the amount of time a person had for that park: half day, full day, two days, etc. That not only simplified the prioritizing for us but also their suggestions worked very well for us. In addition we liked how the guide included what is also nearby for seeing/experiencing while in the area.

The information is well organized and easy to sort through. It is worth the money. If purchased well in advance, you can do a lot of your planning with its guidance.

28 of 29 people found the following review helpful.
"Complete Guide" is right
By Hard-at-Work
My personal "bucket list" includes visiting every National Park in the West----this guide has it all! That is, all the information needed to plan a trip as well as use during the trip. Maps, recommendations for both short and long stays, all recreation opportunities, lodge/camping info in detail, where to eat both inside and outside each park, when to visit, flora/fauna, how to avoid crowds, emergancy services and phone numbers, etc. Truly a complete guide indeed in one little handy carrying case. This was one of my best purchases for value/usefulness.

18 of 18 people found the following review helpful.
Very helpful and Informative!
By Jeanne W.
I used this book on a recent family trip in July 2013. My family went to seven national parks on the west side of the United States and the book was very helpful. It would help more if they listed a few more places to stay. (we used our AAA book to help find some of our accommodations). Stop by "Hell's Backbone Grill and Boulder Mountain Lodge for the most incredible food in the USA and comfortable, luxurious, restful, and peaceful accommodations at the lodge) in Boulder, Utah.

See all 81 customer reviews...

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Selasa, 29 Desember 2015

> PDF Download The Birding Life: A Passion for Birds at Home and Afield, by Larry Sheehan, Carol Sheehan, Kathryn Ge Precourt

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The Birding Life: A Passion for Birds at Home and Afield, by Larry Sheehan, Carol Sheehan, Kathryn Ge Precourt

Birds are both marvels of nature and artistic muses. The mere chance of sighting a prized species has long motivated human observers to brave early mornings, long days, and severe conditions. Birds have also inspired artists to honor them in imagery throughout the ages. In the form of bird-themed art and décor, the beauty of winged creatures informs the “nests” and working spaces of the birders, artists, collectors, and conservationists featured in the more than twenty delightfully written stories in The Birding Life. Through evocative writing and two hundred gorgeous color photographs, the authors of The Sporting Life and Living with Dogs capture the beauty, intrigue, and fun of birding—at home, in the country, in the city, and out in the field—with a special focus on the nostalgic memorabilia that signals devotion to birds of all kinds.
           
In Part I: Birders in Birdland, you will meet Alexander Wilson, John James Audubon, and Roger Tory Peterson, the iconic figures responsible for first documenting America’s native birds for the public, and Kenn Kaufman and David Allen Sibley, authors of today’s most well-known American birding guides. You will visit Buck Hollow Ranch in Concan, Texas, where more than two hundred species of birds, including endangered species unique to the Hill Country, pass through in prime season. From there you will travel to New York City to meet thirteen-year-old Alexander Gottdiener, a licensed falconer who enjoys birdwatching in Central Park and in more exotic climes.

Part II: Bird Houses welcomes you into the homes and studios of bird enthusiasts, artists, and collectors. In Houston, Texas, artists Lisa Ludwig and Joseph Havel’s home, which includes an aviary for injured birds and a studio where Lisa creates bronze bird-nest sculptures, serves as a tranquil retreat from the bustling city. Kristof Zyskowski, manager of the vertebrate collections at Yale’s Peabody Museum of Natural History, gives you a behind-the-scenes peek at the museum’s meticulously curated collection, which includes specimens from about 70 percent of the world’s bird species.

In Part III: At Home with Birds, you will meet homeowners who have decorated their personal nests to reflect their love of avian life. In antiques dealers Paul and Sharon Mrozinski’s home, Victorian collections of specimen eggs and nests punctuate an eclectic mix of antique furniture and art. The Brooklyn loft shared by young sisters Hollister and Porter Hovey is a hipster ode to nature, featuring taxidermy and an assortment of curios, fabrics, and furniture that reflects their collective adoration of flora and fauna.

Field trips throughout the book give readers a taste of the authentic experience of birders in bird-rich locations in Maine, Texas, North Dakota—and New York City’s greatest sanctuary, Central Park.

Sidebars throughout the book cover how to start a birding hobby, what to pack in your birding bag, what to pack in your birding bag, what garden plantings best attract birds to the home, and what bird enthusiasts are wearing and collecting. An extensive resource section offers countless options for further exploration.

A gorgeous volume and endless source of inspiration for lovers of birding and of bird-themed design alike, The Birding Life shows myriad ways to reflect your passion in your home.

  • Sales Rank: #890248 in Books
  • Published on: 2011-10-18
  • Released on: 2011-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.30" h x .80" w x 9.34" l, 3.18 pounds
  • Binding: Hardcover
  • 240 pages

About the Author
LAURENCE SHEEHAN is a freelance writer who has contributed to The Atlantic, Harper’s, Outside, Travel+Leisure, Coastal Living, and other magazines, and he has written extensively for cable television. CAROL SAMA SHEEHAN was editor in chief of Country Home magazine, a national shelter magazine with a circulation of 1.2 million, from 1997 to 2007. The couple lives in western Massachusetts.
 
KATHRYN GEORGE PRECOURT is a magazine editor and interior designer whose freelance designs and editorial work have appeared frequently in magazines. She and her husband live in Massachusetts.
 
WILLIAM STITES is a widely published photographer whose work has appeared in numerous magazines including House Beautiful, Better Homes & Gardens, Family Circle, GQ, Esquire, and Woman’s Day. He lives with his wife in Miami Beach, Florida. They have two grown daughters.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Stunning and unique book about birds, birding, and the arts
By A Woman on a Train
This is the perfect book for anyone who loves birds!

The Birding Life lifts out of any easy categorization, becoming a stunning account of life and the art it invites. I am only an amateur birder, but the passion of those described here is inspiring and fascinating for me as well, and has already changed the way I look at the feathered creatures outside my window. The book is about birds, indeed, but it is also about how birds may affect our lives, and especially how the love of birds has changed the lives of a group of unusual and talented folks. The art and decorative art chronicled here is beautiful, but don't miss the words for literary impact, soulful recognition of life's great opportunities and gifts, and humor as well.

6 of 6 people found the following review helpful.
A beautiful, informative, artful book--and a perfect gift!
By the2vus
We have all the books created by this amazing team, books on fishing, flowers, and dogs. Now they have ventured into the delightful category of birds. Sheehan's stories are wonderful and commensurate with Stites' stunning photography. You will read about birders of all ages and their passion for observation and notation. You will meet the people who have created bird designs in their homes and yards. As you read this book it will take you with the outdoor birding folk, as well as inside the homes of those who have decorated with their own collections--all of whom have followed their hearts in the celebration of this delightful obsession. This beautiful, artful book would make a very special gift.

4 of 4 people found the following review helpful.
The Birding Life: A Passion for Birds at Home and Afield
By Joetta Moulden
Anyone who has a hard-to-shop-for person on their holiday shopping list would be hard-pressed to find a better gift than The Birding Life: A Passion for Birds at Home and Afield. This coffee table book is not only beautifully written, styled and photographed, but is is full of detailed lists birders can use to learn where to go to see birds, where to shop, and where to collect bird-related paraphernalia. Click on the Look inside button for a truly great sneak peek of the treasures that lie within this beautifully-executed book. If you liked this creative team's other books on golf, flowers, fishing and dogs-- you will love this latest one.
Joetta Moulden, (Houston, TX)

See all 26 customer reviews...

The Birding Life: A Passion for Birds at Home and Afield, by Larry Sheehan, Carol Sheehan, Kathryn Ge Precourt PDF
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Senin, 28 Desember 2015

** Free Ebook Pre-K Page Per Day: Letters (Sylvan Page Per Day Series, Language Arts), by Sylvan Learning

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Pre-K Page Per Day: Letters (Sylvan Page Per Day Series, Language Arts), by Sylvan Learning

Learn Alphabet Basics with Just One Page of Activities Each Day!

Sylvan Learning's Pre-K Page Per Day: Letters uses engaging games and activities to help children become familiar with alphabet basics, including:

   · Alphabet Recognition
   · Uppercase Letters
   · Lowercase Letters
   · Writing Letters

Students develop number recognition skills while they complete fun activities, such as:

   · Following clear instructions to learn how to write each letter through tracing exercises
   · Singing letter-of-the-day songs to familiar tunes such as "Bingo" and "Wheels on the Bus"
   · Making letter art from everyday objects, such as an "M" out of two pairs of pants or an "N" from three pencils
   · And much more!

With perforated pages that can easily be removed for short, portable lessons, Pre-K Page Per Day: Letters will help give your child daily exposure to activities that are both fun and educational!

  • Sales Rank: #194996 in Books
  • Brand: Sylvan Learning Publishing
  • Published on: 2012-05-08
  • Released on: 2012-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .16" w x 7.90" l, .39 pounds
  • Binding: Paperback
  • 64 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
Uppercase and Lowercase Letter Learning
By Dee H
Overall, a good workbook for preschoolers. More expensive than other letter-tracing books, but worth the price based on being a Sylvan product, paper quality, and perforated pages.

Workbook features 1½ inch traceable letters, 1 inch apart - nice size and spacing for beginner writers. However, each letter has only four samples to trace. We purchased Kindergarten writing paper for additional practice. Amazon offers several loose leaf and tablet options.

Page Per Day presents UPPERCASE letters first, then lowercase letters. Uppercase letters are typically taught first, as straight lines are easier to recognize and write. Other methodologies teach lowercase letters first, considering 95 percent of text is lowercase. Another approach is combination/or matching - "A" and "a". Either method is supported with easy tear-out pages.

*As another reviewer mentioned, a "b" is mistakenly added to the page featuring "d" -- see attached image.

1 of 1 people found the following review helpful.
Pre-K Page Per Day Letters
By Becky Burke
Bought for my learning disabled sister, would recommend it to anyone with a child just starting to learn letters and I like that it was simple enough for children to understand when given direction.

1 of 1 people found the following review helpful.
Company error
By Crystal dee
Nice book. But my son's book had a big typo one. Of the D's on the lower case d's page was a (b). For a sylvan learning product that's pretty big mistake. page (34) wish I could include a picture

See all 9 customer reviews...

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Taipei (Vintage Contemporaries), by Tao Lin

A New York Times Book Review Editor's Choice

"[A] modernist masterpiece. . . . True, his characters are young people living in Brooklyn. And he writes about the Internet. But we should stop calling Tao Lin the voice of his generation. Taipei, his new novel, has less to do with his generation than with the literary tradition of Knut Hamsun, Ernest Hemingway, and Robert Musil. . . . I cheerfully wrote "Proust" in the margin early on—because the hero, a young writer named Paul, takes such a meta attitude toward his own memories."—Benjamin Lytal, New York Observer

"Here we have a serious, first-rate novelist putting all his skills to work."—Clancy Martin, New York Times Book Review

"Mr. Lin casts a spell in Taipei. . . . [It is] his strongest book. At its best, it has distant echoes of early Hemingway, as filtered through Twitter and Klonopin: it's terse, neutral, composed of small and often intricate gestures. . . . it's about flickers of perception, flickers that the author catches as if they were fireflies."—Dwight Garner, New York Times

"Amazing. . . . the best writer about what it's like to be f*cked up on drugs that I've ever read."—John Horgan, author of The End of Science

"One thing I like about Tao's writing is how beside the point for me 'liking' it feels -- it's a frank depiction of the rhythm of a contemporary consciousness or lack of consciousness and so it has a power that bypasses those questions of taste entirely. Like it or not, it has the force of the real."—Ben Lerner, author of Leaving the Atocha Station

"[A] novel about disaffection that's oddly affecting. . . . for all its emotional reality, Taipei is a book without an ounce of self-pity, melodrama, or posturing."—Publishers Weekly, starred review

"Lin is an existential writer, really, less interested in tracing the contours of his particular social group than in describing the very personal and sometimes unbearable tyranny of one's own mind. . . . the novel's climactic scene. . . . builds over a few pages to a revelation that, in its sheer unexpected beauty, recalls the powerfully moving ending of David Markson's Wittgenstein's Mistress."—Slate

  • Sales Rank: #86035 in Books
  • Brand: Brand: Vintage
  • Published on: 2013-06-04
  • Released on: 2013-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .79" w x 5.18" l, .57 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Guest Review of Taipei, by Tao Lin

By Charles Yu

Charles Yu is the author of How to Live Safely in a Science Fictional Universe, which was named one of the best books of the year by Time magazine. He received the National Book Foundation’s 5 Under 35 Award for his story collection Third Class Superhero, and was a finalist for the PEN Center USA Literary Award. His work has been published in The New York Times, Playboy, and Slate, among other periodicals. Yu lives in Los Angeles with his wife, Michelle, and their two children.

What does it feel like to be alive? It's an inquiry central to many novels, either explicitly or implicitly, and it has been explored in so many ways, in so many variations and permutations, that it's remarkable when someone finds a new way of asking the question. With Taipei, Tao Lin has managed to do just that. The novel's protagonist, Paul, is a twenty-something writer living in New York City who has at least two extraordinary capabilities: (1) a terrifyingly high tolerance for pharmacological substances, and (2) a prodigious ability to record and recount the moment-to-moment flow of micro-impressions and fleeting sensations of his awareness. While Lin may not be the first writer to combine these two elements in the form of a novel, he is the first one to synthesize them in this particular way, and it is the tension and interaction of these things that make Taipei such a compelling read.

What does it feel like to be alive? Weird. Really weird. That's something very easy to forget - we have an ability to acclimate quickly to our own ambient mental environment. For similar reasons, the fundamental strangeness of being alive is also very hard to articulate. What Tao Lin does is to slow everything down, paying very close attention to everything, registering his findings. The noise and bustle and all-night lights of the big city, first New York City, and then Taipei, the blur of pills and parties and people's faces are presented not as an impressionistic smear, but in careful, deliberate language, prose so precise it cannot be anything but excruciatingly honest. At times, Taipei feels like an experiment, a study on how to use (and abuse) your brain, with Paul communicating in a way that almost feels scientific - he's a scientist studying the strange thing called his self, or an alien who experiences human consciousness as if he were test-driving a brand new technology. It is this detachment which allows Lin to render, in a very pure, very visceral way, what the fringe feels like, a displacement or distance from the center, from your own heart, the psychological impossibility of going to some real or imagined home. Taipei renders all of this with a brute and direct force, and I admit at times that force caused me to flinch. This kind of experience is why I read, though - to be challenged, to be confronted, to experience something completely familiar that has been made entirely new.

From Booklist
This novel follows Paul, a young, Brooklyn-based author, as his drug addiction spirals out of control. Though he experiments at first in the name of artistic expression, Paul becomes consumed by apathy, tripping during interviews and drifting out of touch with old friends. He meets and marries Erin, a fellow artist drug user, and they move to Taipei, Taiwan, where they become performance artists, videotaping themselves while on drugs in public. As their relationship breaks down, Paul nearly overdoses and is finally thankful to be alive. The characters are visibly suffering from loneliness, desperately wounded self-esteem, and an aimlessness that leads them to wander from poetry reading to movie theater to party to party, making the briefest and shallowest of encounters with those around them. Tao Lin’s writing style is definitively unique and mirrors the shifting reality his drugged characters perceive when submerged in their daze. At times, however, it is a haze too thick for the unencumbered reader to peer through. --Sarah Grant

Review
"[A] consolidation and vindication of everything [Lin] has produced to date. . . . extremely moving. . . . a daring, urgent voice for a malfunctioning age."—Times Literary Supplement

"Gchat as dialogue, endless drugs, misused words--welcome to the genius of Tao Lin's new novel. . . . Lin is one of the few fiction writers around who engages with contemporary life, rather than treating his writing online as existing in opposition to or apart from the hallowed analogue space of the novel. . . . exactly the kind of book I hoped Tao Lin would one day write."—Emily Witt, The Daily Beast

"A strange, hypnotic, memoir-reeking novel that is equal parts dissociative and heartbreaking, surreally hallucinogenic and grittily realist, ugly and beautiful."—Porochista Khakpour, author of Sons And Other Flammable Objects

"With Taipei Tao Lin becomes the most interesting prose stylist of his generation."—Bret Easton Ellis, author of Lunar Park

"Lin's great skill is to punctuate the narration with occasional moments of great lyricism, beauty, or pain."—Gideon Lewis-Kraus, Harper's

"[Taipei] could also have been called Drugs. But the marketing team at Vintage may not have wanted it placed alongside contemporary "drug fiction" like Irvine Welsh's The Acid House. . . . Lin has grander ambitions. . . . Lin doesn't romanticize drugs, or really even seem to enjoy them much. Nor does he moralize about them. Taipei carefully avoids the conventional drug genres of bacchanal and cautionary tale. . . . It is a depiction of the alienated subject in a personality-driven world."—LA Review of Books

"[Taipei] reads like a howl, and also—with its cast of angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night—rather like Allen Ginsberg's poem 'Howl.'"—The Guardian

"[P]sychologically astute, often beautiful and completely unexpected."—NPR

"Taipei might be the first spiritual narrative that millennials—that anyone living in 2013, really—can get behind."—PopMatters

"In an age when the young consume mass quantities of music, video, and film, Tao provides a broader statement about the difficulty and importance of giving birth to oneself. . . . startling and life affirming."—Paste

"Taipei brilliantly portrays the life of many young men—drifting and difficult to reach, bound only to technology and drugs."—Financial Times

"[T]he first book I'd recommend to people who want to read a next-level novel, something akin to space-age journalism."—David Miller, Matador

A New York Times Book Review Editor’s Choice
 
“[A] modernist masterpiece. . . . True, his characters are young people living in Brooklyn.  And he writes about the Internet. But we should stop calling Tao Lin the voice of his generation. Taipei, his new novel, has less to do with his generation than with the literary tradition of Knut Hamsun, Ernest Hemingway, and Robert Musil.”—Benjamin Lytal, New York Observer
 
“Here we have a serious, first-rate novelist putting all his skills to work.”—Clancy Martin, New York Times Book Review
 
”Mr. Lin casts a spell in Taipei. . . .  [It is] his strongest book. At its best, it has distant echoes of early Hemingway, as filtered through Twitter and Klonopin: it’s terse, neutral, composed of small and often intricate gestures. . . . it’s about flickers of perception, flickers that the author catches as if they were fireflies.”—Dwight Garner, New York Times

"Amazing. . . . He's actually the best writer about what it's like to be f*cked up on drugs that I've ever read."—John Horgan, author of The End of Science 

"The most moving depiction of the way we live now. . . . unutterably moving."—Michael Silverblatt, KCRW's Bookworm
 
“One thing I like about Tao's writing is how beside the point for me 'liking' it feels — it's a frank depiction of the rhythm of a contemporary consciousness or lack of consciousness and so it has a power that bypasses those questions of taste entirely. Like it or not, it has the force of the real.”—Ben Lerner, author of Leaving the Atocha Station
 
“[A] novel about disaffection that’s oddly affecting. . . . for all its emotional reality, Taipei is a book without an ounce of self-pity, melodrama, or posturing.”—Publishers Weekly, starred review

Most helpful customer reviews

11 of 11 people found the following review helpful.
Prompted many thoughts, but almost none of them positive
By Sean Rueter
It's a pretty accurate to statement to say that I was an overly introspective and depressed twenty-something who "partied" too much. Taipei makes me glad that I wasn't doing it in the late aughts through the present day, or in Brooklyn. Because Tao Lin's characters take navel-gazing and selfish behavior to another level.

There's a great deal of craft on display, and I did find myself sucked into the downward spiral of Paul's life. If the goal was to make me care as little about his life, or to loathe the way he and his "friends" act, as he seems to, it's a success. I admire the honesty with which the protagonist's inner monologue is presented - I think most men will relate to the way Paul observes and categorizes his female acquaintenances. Taipei left me hoping that, even as a priviledged young adult of the late 90s / early aughts, that I wasn't this inwardly focused and oblivious to the suffering of the world around me. And praying that if this is an accurate representation of today's 20-somethings, that their journey takes them to a place of gratitude and maybe even a higher purpose like it seems Paul reaches at the novel's conclusion.

This is why I was torn while reading Lin's book, and remain so after finishing. I found it be a profoundly unsettling experience that I wouldn't describe as enjoyable. But that's one of the goals of art. Right?

73 of 97 people found the following review helpful.
Not the messiah
By Peter Mathews
Tao Lin is hot property in the world of contemporary literature, with Taipei, his third novel, being hailed as his breakthrough work. Part of his appeal lies, no doubt, in his capacity to divide: whether as a person and a writer, he tends either to inspire adoration as the voice of his generation or hatred for being a shallow impostor. Lin also complicates matters further by blurring the lines between fiction and autobiography in making Paul, the protagonist of Taipei, into a rather transparent stand-in for his own self. Paul essentially shares every aspect of Tao Lin's history, from his Taiwanese background to his rampant drug use.

One of Lin's champions is Bret Easton Ellis, and it is perhaps no surprise that Taipei is being compared to Ellis's debut novel Less Than Zero (1985). In terms of personality, though, these two writers could not be more different. Unlike the self-promoting, egoistic Ellis, Lin, to coin a term, is a "black hole" provocateur. In the interviews I have read, he comes across as curiously passive and non-committal, much like the protagonist of Taipei, in a way that initially makes me want to punch him in the face for his apparent pretentiousness but, after further consideration, makes me also admire his ability to provoke such a reaction in spite of his utterly flavorless personality (nonetheless, I still want to punch him in the face).

Taipei had a similar effect on me as I was reading it. The opening pages were a lesson in patience: endlessly detailed descriptions of Paul's passive-aggressive interactions with his initial girlfriend Michelle, introductions to a myriad of characters who bobbed in and out of the story without much significance, a lack of clear plot direction, and most grating of all, the minutiae of Paul's online activity, as he cycles through an assortment of online chats, emails, blogs, texts, and other social media that are just as boring to him as they are to us as readers. Taipei is a boring, plot-less novel about a pretentious, self-absorbed protagonist who fritters away his time on worthless pursuits, goes to parties, does LOTS of drugs, whines about his poor relationships with his family, friends, and girlfriends while doing everything in his power to alienate them, and generally inhabits a zone of hipster privilege that is itself a cultural cliche. Not only that, but the novel's title misleads the reader into expecting that it will shed some light on Taipei in some way, but when Paul goes to that city he does the exact same things he does in America: takes lots of drugs, plays with his MacBook, and sets about alienating his female companion.

My opinion started to moderate a little not because the novel improved dramatically as it went on or suddenly took on some kind of coherent plot, but because I began to see some unexpected similarities between Lin's writing and earlier works of literature. Throughout Taipei, for instance, Lin uses quotation marks to indicate phrases that seem like cliches, and while in the early stages of reading I reacted, for instance, to Kyle's description of Traci as "really hot" in quotation marks with an angry note in the margin ("what is this? high school?"), I reluctantly remembered that Flaubert does much the same thing in Madame Bovary, albeit with italics rather than quotation marks. I remembered also reading about Sartre's drug habits, about how he was so amped up on speed that if you examine his handwritten manuscripts you can see where his handwriting slides off the edge of the page from writing so quickly.

It was the Sartre connection that really got me thinking, making me ponder a possible resonance between Taipei and Sartre's first novel Nausea (1938). Nausea is a meditation on the anxiety of existence, a haunting feeling which troubles all human beings but that bothers, in particular, the novel's sensitive central character Antoine Roquentin. Roquentin seems to be more attuned than others to this existential condition, and Sartre explores his protagonist's ongoing dilemma through two main avenues: Roquentin's ambivalent relationship with an Englishwoman, Anny, and various lyrical moments of philosophical insight, the most famous of which occurs when Roquentin sits on a park bench and contemplates the root of a chestnut tree (a passage that was inspired, it is said, by Sartre's experiments with mescaline).

The best parts of Taipei more or less follow these aspects of Sartre's novel. In place of Anny, Lin inserts Erin, a writer from Baltimore, into the story, who provides a breath of fresh air after Paul's earlier, insipid entanglements with Michelle and then Laura, relationships that revealed little about the characters and did not move along the plot in any way. Erin, by contrast, provides an excellent foil to Paul's character in the second half of the book, indulging his immature impulses by sharing drugs, making amateur films with Paul on their ubiquitous MacBooks, going to Las Vegas with him, visiting his family in Taipei, and then returning to New York for the novel's final binge on heroin and magic mushrooms. Erin is the only character in the novel with any warmth and depth, and it is for this reason that she actually manages to shed some light on the colorless protagonist in Paul.

The true potential of this novel, however, comes into focus whenever Lin follows Sartre by providing the reader with lyrical contemplations about the meaning of existence. Normally, the prose style of the novel is either dull (tedious, in-depth descriptions of drug-taking and email-checking) or, in some cases, laughably clumsy. Lin comes up with some awful similes, from comparing Paul's inability to understand others to "an amoeba trying to create a personal webpage using CSS" (p.10), to his protagonist's social discomfort being "not unlike playing a difficult Nintendo game alone, with no instruction manual" (p.37). But these moments are somewhat redeemed by some glimpses of true lyrical beauty, such as this passage in which Paul imagines technology subverting its role as humanity's slave and slowing taking over society:

"At some point, Paul vaguely realized, technology had begun for him to mostly only indicate the inevitability and vicinity of nothingness. Instead of postponing death by releasing nanobots into the bloodstream to fix things faster than they deteriorated, implanting little computers into people's brains, or other methods Paul had probably read about on Wikipedia, until it became the distant, shrinking, nearly nonexistent somethingness that was currently life-- and life, for immortal humans, became the predominate ["predominant"?] distraction that was currently death-- technology seemed more likely to permanently eliminate life by uncontrollably fulfilling its only function: to indiscriminately convert matter, animate or inanimate, into computerized matter, for the sole purpose, it seemed, of increased functioning, until the universe was one computer. Technology, an abstraction, undetectable in concrete reality, was accomplishing its concrete task, Paul dimly intuited while idly petting Erin's hair, by way of an increasingly committed and multiplying workforce of humans , who receive , over hundreds of generations, a certain kind of advancement (from feet to bicycles to cars, faces to bulletin boards to the internet) in exchange for converting a sufficient amount of matter into computerized matter for computers to be able to build themselves." (p.167)

Or, to give an another example, here is a beautiful passage from late in the story in which Paul, high on mushrooms, imagines that his being is melding with that of Erin:

"His steady, controlled petting of one of Erin's vertebra with the cuticle of his right index finger gradually felt like his only method of remaining in concrete reality, where he and Erin, and other people, shared a world. Sometimes, forgetting what he was doing, his finger would slow or stop and he would become aware of a drifting sensation and realize he was being absorbed-- from an indiscernible distance, beyond which he wouldn't know how to return-- and, with some urgency, move his body or open his eyes, seeing grid-like overlays on the walls and holograms of graph paper in the air, to interrupt his being taken. The effort became gradually smaller and more unconscious and, as if for something to do, in place of what was now automatic, Paul began to discern his rhythmic petting as a continuous striving to elicit certain information from Erin by responding or not responding to her rhythms, in a cycle whose goal was to produce momentary equilibriums. He felt increasingly attuned to the speed and quality of her breathing and heart rate, until he felt able to instantly discern changes in her physiology, which in entirety began to seem like an inconstant unit of unique, irreducible information (an ever-changing display of only prime numbers) that was continuously expressed and that bypassed the parts of them that allowed for deliberation or perception or intuition, beginning and ending in the only place where they were exactly together, undifferentiated and unknowable, but couldn't, in their present form, ever reach, like a thing communicating directly with itself, rendering them both irrelevant." (pp.243-4)

These are the kind of occasional gems that are buried in the midst of a novel that is otherwise focused on the annoying and pretentious task of enumerating the banality of a certain class of people in America. Could it be that one style cannot exist without the other, that these lyrical passages need the tedium of Paul's postmodern life in the same way that a picture needs a frame, that light needs darkness? Whatever the case, I certainly don't think that Taipei is the next great work in contemporary literature, nor that Tao Lin is mature enough to break through at this stage, even though the consensus seems to be against me. Young writers tend to suffer from a lack of discipline, but Taipei perhaps suffers from too much: its relentlessly unemotional style is suffocating, a drawback made all the more stark by the intrusion of its best, most lyrical moments, those rare times when the novel breaks free from its pretentious shackles and shows glimpses of the writer that Lin might someday become.

10 of 12 people found the following review helpful.
Takes place in a painfully boring bubble
By M. Gutierrez
I really wanted to love this book. There are some beautifully constructed sentences (this man can properly punctuate the hell out of a paragraph~page long sentence) and some hilarious sentences that would seem contrite outside of whatever blurry, boring context is often given. Mostly, though, this book documents self-pitying mumbling addicts, so willing to live in (and constantly reconstruct) awkward tangents around every person and thing they touch. I mean, we're all sad, but these people are awful and, worst of all, in the literary world, just not that interesting :/

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Jumat, 25 Desember 2015

>> Download PDF Creative Bible Lessons in 1 & 2 Corinthians, by Marv Penner

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Creative Bible Lessons in 1 & 2 Corinthians, by Marv Penner

Creative Bible Lessons in 1 & 2 Corinthians, by Marv Penner



Creative Bible Lessons in 1 & 2 Corinthians, by Marv Penner

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Creative Bible Lessons in 1 & 2 Corinthians, by Marv Penner

Christian adolescents in the 21st century face pretty much the same situations as the first-century Christians in Corinth did -- an indulgent, profligate, choose-your-own-god society. The latest in the Creative Bible Lessons series, Creative Bible Lessons in 1 & 2 Corinthians is a 12-lesson curriculum with an issues-oriented spin on living one’s faith in the real world. It lets teenagers wrestle with the tension between biblical instruction and cultural realities. These 12 studies about the not-so-easily-tamed people of Corinth and their founding pastor Paul of Tarsus pave the way for youth workers and Sunday school teachers to teach high schoolers about conversion, transformation, failure, leadership, authority, and God's constant saving love even in the midst of people making a mess of things. Here are some of the not-so-ancient issues you'll explore in this study: Give Me Liberty or Give Me Love, Friends Don't Let Friends Go Unforgiven, Those Pesky STDs (Sexually Tough Decisions), Love Is . . ., No Easy Answers, Show Me the Money, and Ouch! Of course, there's lots of what the Creative bible Lessons series is known for: provocative and relevant discussion starters, to-the-point scripts, high-energy games, reproducible pages of interactive activities -- all in the context of hard-core Bible study. 12 lessons.

  • Sales Rank: #685240 in Books
  • Brand: HarperCollins Christian Pub.
  • Published on: 1999-09-01
  • Released on: 1999-08-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .35" w x 7.56" l, .72 pounds
  • Binding: Paperback
  • 112 pages

From the Publisher
Latest in the Creative Bible Lessons series, this 12-lesson curriculum is an issues-oriented spin on living one's faith in the real world that lets teenagers wrestle with the tension between biblical instruction and cultural realities. Youth ministry veterans will find a convenient summary to the high points of each lesson, while less experienced youth leaders will find complete instructions that walk them through the lesson. And of course, there are plenty of provocative discussion starters, to-the-point scripts, high-energy games, and reproducible pages of interactive activities--all in the context of hard-core Bible study.

From the Author
Marv Penner is chair of the youth ministry and counseling departments of Briercrest Schools Seminary. He also directs the Canadian Center for Adolescent Research and is a member of Youth Specialties’ National Resource Seminar team

From the Back Cover
Christian adolescents in the 21st century face pretty much the same situations as the first-century Christians in Corinth did -- an indulgent, profligate, choose-your-own-god society. The latest in the Creative Bible Lessons series, Creative Bible Lessons in 1& 2 Corinthians is a 12-lesson curriculum with an issues-oriented spin on living one's faith in the real world. It lets teenagers wrestle with the tension between biblical instruction and cultural realities. These 12 studies about the not-so-easily-tamed people of Corinth and their founding pastor Paul of Tarsus pave the way for youth workers and Sunday school teachers to teach high schoolers about conversion, transformation, failure, leadership, authority, and God's constant saving love even in the midst of people making a mess of things. Here are some of the not-so-ancient issues you'll explore in this study: Give Me Liberty or Give Me Love, Friends Don't Let Friends Go Unforgiven, Those Pesky STDs (Sexually Tough Decisions), Love Is . . ., No Easy Answers, Show Me the Money, and Ouch! Of course, there's lots of what the Creative bible Lessons series is known for: provocative and relevant discussion starters, to-the-point scripts, high-energy games, reproducible pages of interactive activities -- all in the context of hard-core Bible study. 12 lessons.

Most helpful customer reviews

0 of 0 people found the following review helpful.
great flexibility for different teaching styles
By Jesse J VanderWeide
I have an older print of this but lesson content is the same. sometimes i get stuck with how to structure a lesson and this company gives you many options for each topic that you can pick and choose to compile a unique lesson. three youth leaders could use the same book and create a different lesson with the same under lying message.
usually has 2-3 opening activities/ice breakers, digging deeper discussion guide, a memory verse and some copy-machine-ready handouts.
I have Creative Bible Lessons in 1 Timothy & Titus, Revelation, Prophets, Galatians, and more!

0 of 0 people found the following review helpful.
Content too confusing
By Joyce Seely
The activities and content of lessons seemed too young for my class of very mature students. I didn't use them.

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~ Get Free Ebook Braving It: A Father, a Daughter, and an Unforgettable Journey into the Alaskan Wild, by James Campbell

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Braving It: A Father, a Daughter, and an Unforgettable Journey into the Alaskan Wild, by James Campbell

The powerful and affirming story of a father's journey with his teenage daughter to the far reaches of Alaska
 
Alaska’s Arctic National Wildlife Refuge, home to only a handful of people, is a harsh and lonely place. So when James Campbell’s cousin Heimo Korth asked him to spend a summer building a cabin in the rugged Interior, Campbell hesitated about inviting his fifteen-year-old daughter, Aidan, to join him: Would she be able to withstand clouds of mosquitoes, the threat of grizzlies, bathing in an ice-cold river, and hours of grueling labor peeling and hauling logs?

But once there, Aidan embraced the wild. She even agreed to return a few months later to help the Korths work their traplines and hunt for caribou and moose. Despite windchills of 50 degrees below zero, father and daughter ventured out daily to track, hunt, and trap. Under the supervision of Edna, Heimo’s Yupik Eskimo wife, Aidan grew more confident in the woods.

Campbell knew that in traditional Eskimo cultures, some daughters earned a rite of passage usually reserved for young men. So he decided to take Aidan back to Alaska one final time before she left home. It would be their third and most ambitious trip, backpacking over Alaska’s Brooks Range to the headwaters of the mighty Hulahula River, where they would assemble a folding canoe and paddle to the Arctic Ocean. The journey would test them, and their relationship, in one of the planet’s most remote places: a land of wolves, musk oxen, Dall sheep, golden eagles, and polar bears.

At turns poignant and humorous, Braving It is an ode to America’s disappearing wilderness and a profound meditation on what it means for a child to grow up—and a parent to finally, fully let go.

  • Sales Rank: #37983 in Books
  • Published on: 2016-05-10
  • Released on: 2016-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.30" w x 6.30" l, 1.25 pounds
  • Binding: Hardcover
  • 384 pages

Review
Finalist for the Banff Mountain Book Competition — Adventure Travel

"One of the reasons we read books like Braving It [is] to experience what we may never have the particular courage to and share the terror and thrills of those who do….And Aidan is exceptional, choosing to ditch friends and devices in order to rough it. It is invigorating to meet a young woman hellbent on self-sufficiency, to watch her twist the head off a just-shot caribou and bop around the campsite, bear bells jingling around her neck….Mr. Campbell has set his daughter on the hero’s journey and offered her the inviolable obligation of the parent: to show his child that she needs to save her own life and that she can.”
—The Wall Street Journal

“Campbell’s prose captures both the difficulties and pleasures on offer in the extreme wild... Parents who enjoy Campbell’s adventures vicariously might find themselves contemplating their own family outing.” 
—Richmond Times Dispatch

“James Campbell describes … trips to Alaska, where father and daughter faced off with grizzlies, battled clouds of mosquitos, capsized in a freezing river—and pushed the bond between them to its limits.”
—National Geographic

"Braving It is a detailed portrayal of terrain so harsh it would give any seasoned outdoorsman pause, complete with grizzlies, brushes with hypothermia, and a growing bond that is honest, hard-earned, and touching."
—Men's Journal

“Campbell, through his descriptions and thoughtful reflection, brings to life the Arctic's great beauty, expanse and values as a wilderness and testing ground — a 'final frontier' for a certain kind of seeker… Braving It is a smart, insightful book that should be read by fathers and daughters everywhere — and by anyone who looks to wild country as ‘part of the geography of hope.’”
—Alaska Dispatch News

"A touching and riveting true story of hope and adventure."
—Alaska Beyond

“[Campbell’s] daughter, Aidan, [is] worthy of a book-length tribute….Braving It [is] as much about parenting as it is about adventure, though in Campbell’s book the two concepts are often inseparable.” 
–Isthmus

“With humor and honesty, Campbell brings readers along for the adventure, which is full of swarms of hungry mosquitoes, the fear of grizzly bears, and the push-pull relationship between a teenage girl and her father… Campbell expertly blends facts on the flora, fauna, and general life in the Alaskan bush with his reflections on being middle-aged, with many adventurous years behind him, as opposed to his daughter, whose quest for adventure has only just begun. Informative, humorous, and full of a love of nature.”
—Kirkus Reviews

"A delightful and sometimes harrowing tale of the Alaskan bush."
—Shelf Awareness

“Some parents will doubtless think the adventure James Campbell took his daughter on was irresponsibly dangerous or just plain crazy. But as a father myself, I’m in envious awe of the bold decision he made and the clarity with which he made it. As Braving It poignantly demonstrates, there is no better teacher than deep wilderness. Here is the essence of good writing—and good parenting, too.”
—Hampton Sides, author of In the Kingdom of Ice
 
“Braving It, the book, is a metaphor for the wilderness—the call of the wild—that James Campbell evokes in this masterfully told story. Every time I set the book down, I pondered the lessons learned, and couldn’t wait for my next sojourn into its pages. When it ended, I longed for the adventure to continue and pined for the beauty of Alaska. So I picked it up and read it again, savoring every page.”
—Eric Blehm, author of The Last Season, Fearless, and Legend
 
“Braving It—tender, wise, translucent—is not just an Alaskan classic, but a parenting classic. I read it with great fondness, hunger, and a deep satisfaction.”
—Rick Bass, author of The Lives of Rocks and Why I Came West
 
“This is a guide book for the heart, step-by-step instructions on how to fall in love with Alaska—the hard work and fear, the thrilling adventure and awe. Along the way, we are given an honest and touching portrait of a middle-aged man coming to terms with his own limitations even as he learns to set his adolescent daughter free from the confines of childhood. A wonderful book for any mental traveler who has yearned to experience Alaska.”
—Eowyn Ivey, author of The Snow Child
 
“Any of us who’ve watched daughters grow up to be strong and capable in the backcountry will delight in this book—it’s a wonderful new world in many ways!”
—Bill McKibben, author of The End of Nature and Wandering Home
 
“In this wonderful book, James Campbell and his teenage daughter set off on a great adventure to one of the most beautiful, and often perilous, places on earth—the Arctic wilderness of Alaska. They face many challenges—whitewater rapids, grizzly bears, bone-numbing cold—but none as daunting for Campbell as guiding his daughter across the great divide between childhood and maturity. Set against a primal landscape of mountains and fast-flowing rivers, Braving It is as simple and powerful as any fairy tale.”
—John Hildebrand, author of Reading the River and The Heart of Things
 
“As a father of daughters and lover of adventure, I found Braving It to be spot on—riveting, profound, open-eyed, and deeply touching. Campbell’s struggle to understand and measure up to the stark and stunning Alaskan wilderness and, more importantly, to his teenage daughter—to find his place in the lives of both—becomes our struggle, too. A must-read for every striving parent and every teen striving to understand his or her parents.”
—Dean King, author of Skeletons on the Zahara and The Feud
 
"Braving It is a beautiful and original book, an antidote to the screenification of modern life. As a father enters the country of middle age, and a daughter edges toward adulthood, they share an epic Alaskan adventure. Among the dangers they encounter is an unexpected one: fleeting time. Countering this is the gift the father gives the daughter and the writer gives the reader: the gift of the elemental now, of moments of wind, fire, water, snow, beauty. And of equally primal moments of human love and connection." 
—David Gessner, author of All the Wild that Remains: Edward Abbey, Wallace Stegner and the American West
 
“If your idea of a good time is hordes of mosquitoes and wind chills of 50 below, you are not your average dad. And if you invite your teenage daughter to enjoy these with you and she says yes, she may not be your average daughter. This is a great story of what it means to love, trust and test your kids.”
—Lenore Skenazy, author of Free-Range Kids 
 
“Braving It is a book full of hope.  At a time when we are concerned with ravages upon the environment, this story explores the wonder and unspoiled beauty of the Alaskan wild. And at a time when our youth are consumed with technology, social media, and a sense of entitlement, we read about a teenage girl who not only chooses to venture into the wilderness, but relishes the experience. This book gives me hope for our landscape and our youth.”
—Larry Beck, San Diego State University professor and author of Moving Beyond Treeline
 
“Rarely has a book captured so well the unknown wilderness of parenting, of what it is to be a teenager and what it is for a father to learn to trust. Braving It is also a kind of guide to stepping outside one’s comfort zone. A must-read for anyone trying to understand the father-daughter bond and anyone who loves wildness.”
—Melissa Arnot, mountaineer
 
“Braving It is part call to adventure, part coming of age story, and part celebration of family. A thoroughly engaging and thought-provoking read.”
—Daniel L. Dustin, Professor of Outdoor Recreation, University of Utah

About the Author
JAMES CAMPBELL is the author of The Final Frontiersman and The Ghost Mountain Boys. He has written for Outside magazine, National Geographic Adventure, Men’s Journal, Audubon, and many other publications.

Excerpt. © Reprinted by permission. All rights reserved.
Prologue 

MY DAUGHTER AIDAN HADN’T YET entered kindergarten when I made a series of trips to the Alaskan Arctic while researching and writing my first book. She loved my stories, and as she listened, she said that when she was a “big girl” she hoped to join me in Alaska. I told her that, yes, one day we would go together. She accepted this answer until her freshman year in high school, when she began to remind me of my promise on what seemed like a weekly basis.

The more I thought about it, the more it seemed like the right time to take her on an Alaskan adventure, or perhaps a series of adventures. In traditional Eskimo cultures, although gender roles were well defined, adolescent girls would sometimes accompany their fathers on extensive hunting and trapping trips while boys stayed behind in the village. The idea was that it was important for boys and girls to switch roles in order to acquire the others’ life skills. Boys would learn to sew, tan, weave, and cook, and girls would learn how to hunt, survive in the wilderness, and make tools and weapons. I believed that, at fifteen, Aidan was ready for a similar experience. She would be old enough to appreciate it and responsible enough to carry her own weight. Perhaps, too, her encounter with wilderness would evoke the same feelings of wonder it had in me.

From John Muir and Aldo Leopold (fellow Wisconsinites) to Rachel Carson, Annie Dillard, and Wendell Berry, literature teems with musings on the power of nature. Leopold memorably called it “meat from God.” Edward Abbey called wilderness a “necessity of the human spirit.” Henry David Thoreau’s saying “In Wildness is the preservation of the World” makes the bold claim not that we must save wildness but that wildness has the potential to save us.

In preparation for our adventure I asked Aidan to read Wallace Stegner’s “Wilderness Letter.” In it Stegner writes about wild country as “a part of the geography of hope.” I’d always loved that line—“the geography of hope.” But in rereading the letter before passing it on to Aidan, I was drawn to another phrase: “the birth of awe.” Yes, I thought, in Alaska, Aidan might truly feel awe. Short of that, I wanted her to learn concrete life lessons in common sense, self-sufficiency, confidence, and competence.

By February 2013, after deciding to do a self-guided, three-week paddling trip somewhere in Arctic Alaska, we were auditioning rivers, running them in our imaginations. There was the Firth, a mighty river of steep canyons that straddles the border between northeastern Alaska and Canada; the Hulahula, a scenic, hundred-mile-long stretch of water that tumbles from the Romanzof Mountains of the Brooks Range to the Arctic Ocean; the Canning, which parallels the Hulahula and runs along the western border of the 19.5-million-acre Arctic National Wildlife Refuge; xvthe Sheenjek, which in 1956 motivated environmentalists Olaus and Mardy Murie to develop the idea of a wilderness preserve in the Arctic; and, finally, the Porcupine, a six-hundred-mile historic trade route that winds through dense boreal forest en route from Dawson City in Canada’s Yukon Territory to the Gwich’in Athabaskan community of Old Crow, also in the Yukon Territory, and then southwest into Alaska.

All are wild and beautiful rivers with the ability to inspire and terrify. That is the thing about awe: beauty and fear are inseparable. The Inupiat, of Alaska’s harsh Arctic coast, have a word to express the duality: uniari, “nervous awe.” The Tununirmiut of Baffin Bay call it ilira, and distinguish between it and the raw fear—kappia—that one might feel if he or she were thrown from a canoe into an icy Arctic river.

In April we pored over maps and began to assemble our gear. Then, in May, I got a call. Heimo and Edna Korth, my cousin and his wife, about whom I’d written The Final Frontiersman, had just left the bush for the village of Fort Yukon, on the Yukon River, where they traditionally spend the summer months. For the rest of the year the Korths live 120 miles to the north, deep in the foothills of the Brooks Range, where they raised three daughters. Heimo and Edna are some of the last hunter-trapper-gatherers living in the Arctic National Wildlife Refuge.

Heimo wanted to know if I’d be willing to come up in July and August to help him build a new cabin on the Coleen River. Earlier that month, during spring breakup, as the river ice thawed and melted, the Coleen River had rerouted itself, spilling into a side channel; the Korths’ current cabin, which sat along the banks of that channel, was in jeopardy of being washed away. Heimo explained that he had already done some of the preliminary work. He’d picked out the new site upriver, cleared some of the trees, and sketched the outline of the cabin with an axe and a shovel. His only caveat was that we’d have a lot of work and we’d have to do it fast to get most of the cabin built before the cold came.

I was tempted by the invitation. I’d always wanted to build a cabin in the woods, nursing dreams of heading to Canada or Alaska and living off the land, but as a young man I instead went to an eastern city for college. It was a good place, but hardly an appropriate training ground for a mountain man. After college I got sidetracked, following the beaten professional path to Chicago and New York, and eventually left the path for the mountains of Colorado. Then, a decade and a half later, a deep homing instinct led me to return to rural Wisconsin.

In each place I lived I found joy. In Colorado I went to graduate school, which I paid for by working construction and landscaping, and sometimes helping out an old rancher whose sons had left for the city. In return the rancher gave me some first-edition Zane Grey novels from his book collection. But I had never followed the needle pull of the compass north as Heimo had.

I mulled Heimo’s offer over for a few days before approaching my wife, Elizabeth, with an idea: what if Aidan and I were to go up together to help him? Elizabeth had never been a supporter of our Alaskan river trip idea and viewed this new plan with equal skepticism. Aidan was not new to the wilderness, but she still had lots to learn, and Elizabeth thought we should start out with something less risky—the Boundary Waters, for instance. The Boundary Waters is a 1.3-million-acre wilderness, with twelve hundred miles of canoe routes, that straddles the border between Minnesota and Ontario. It’s remote country—by Lower 48 standards—but it is not Alaska.

Elizabeth’s biggest worry: bears. Like many other Lower 48ers, my wife believes that nearly every Alaskan thicket hides an angry, frothing-at-the-mouth grizzly. She’s no city gal, either. She’s done her time in the woods. But the thought of her oldest daughter wandering around in bear country scared her. She'd read that a grizzly kills in a gruesome fashion, delivering a deadly blow to the head with a force akin to a twelve-pound splitting maul swung by an NFL linebacker, before seizing the back of its prey’s neck and severing its spine. Grizzlies have a bite force of over 8 million pascals, a metric unit of pressure, powerful enough to crush a bowling ball. Elizabeth wondered why I would want to risk taking Aidan to Alaska, especially when she could learn the kinds of life skills I was talking about right here at home.

By that, Elizabeth meant that we have land where we keep bees and tend a garden, pick cherries, apples, mulberries, and plums for jam. There is no shortage of work. We were getting chickens, so there was a chicken coop and run to build, wood to cut and split, and perhaps one day maple trees to tap and sheep’s milk cheese to make. Nevertheless, I could tell that Elizabeth was wavering. When she made me promise that wherever Aidan went I would be beside her with a shotgun, loaded with lead slugs, I knew that she had decided to let Aidan join me. Now I had to hope that Heimo and Edna would, too.

Heimo didn’t know Aidan—his second cousin once removed—from Adam, and when I called to broach the possibility of her coming, he proved leery of taking on a teenage girl. He was full of questions that boiled down to just one: could she hack it?

I made a modest pitch. I am one of my daughter’s biggest fans, and occasionally one of her toughest critics, but I didn’t want to raise expectations. I told Heimo she might prove herself useful. After thinking it over for a couple weeks, he called back: he and Edna were willing to give Aidan a chance.

I still had to sell Aidan—and perhaps myself—on the experience. We’d be swapping a river trip for a three-and-a-half-week stint of cabin building. Would there be opportunity for Stegner’s “birth of awe”?

I was straight with her about the experience; I didn’t sugarcoat it. It would be hard, sweaty, and dirty work. We would get blistered, scratched, and scraped limbing trees and lugging them out of the woods. There would be bugs—clouds of them. We would be wearing the same pair of work clothes day in and day out, and after a while the animal smell of our own bodies would offend us. We would encounter Nature with a capital N, including the possibility of running across a grizzly, Ursus arctos horribilis, or a cow moose protecting her calf.

For tools, we would be using axes, drawknives, pickaxes, and saws. If one of us got cut badly, we’d have to make an emergency call by satellite phone and hope that someone could come and airlift us out. Because the nearest hospital is two hundred and fifty miles away, in Fairbanks, we would be a minimum of twelve to twenty-four hours from medical help. The remoteness of where we would be, and what that meant in case of emergency, could not be overemphasized. In 2012, two scientists from the University of Alaska, Fairbanks’ Geophysical Institute identified the Coleen River as the most isolated spot in mainland Alaska. The Arctic National Wildlife Refuge is roughly the size of South Carolina or the country of Austria, and combined with the adjacent Ivvavik and Vuntut National Parks in Canada, it is part of one of the largest protected ecosystems in the world.

Aidan had lots of questions, many more than when we were planning the river trip. She is a curious, inquiring girl, a committed student of the Socratic method: ask and you will be enlightened. When she’s nervous or uncomfortable, the questions multiply. Heimo’s invitation somehow made Alaska real for her, and her questions came in a torrent, like a spring cloudburst. How dangerous would it be? Would we have a first aid kit? What would we eat? What would we do about the bugs, the bears? Would a grizzly maul you? Kill you? How would we protect ourselves? Where would we get our drinking water? What if we got giardia? Would she be able to use the satellite phone to call home? Would there be a generator to charge her Kindle? Though she knew some of the answers, she asked the questions anyway. But then one day, after nearly two weeks of her hounding me, the barrage ended. She had reached a saturation point. A week later she announced with little ceremony, “Dad, I want to go.” She sounded so confident that I began to worry.

Aidan, you see, is firstborn and eager to please. As a little girl she’d ask me, “Daddy, do you wish that I had been a boy? Is that why you gave me a boy’s name?” Perhaps she heard the teasing from my buddies. It’s a Gaelic name—Aidan—meaning “little fire,” and is used mostly for males. My friends insisted that I wanted a son so bad I gave her a boy’s name. By the time Aidan was two, I knew that was a lot of bunk. She was my sidekick. She was a tomboy, but still a girl who loved dolls, tea parties, and feather boas.

In answer to her question about whether or not I wished I’d had a son, I chose to be honest with her. I told her that I’d dreamed of having a boy, but not long after she came into the world, I knew I could never love a son more than I loved her.

Despite my reassurances, in school she made sure she could throw a football as well as the boys, field the highest punts, and run the fastest and longest. With a BB gun, and later a .22 rifle, she was determined to be a deadeye. When I brought home ducks, geese, or pheasants I’d shot, she’d get right in there and watch up close while I cleaned them. I’d offer her a brief biology lesson as she held the still-warm heart in her hands.

When she was seven I gave her the nickname Cap. Two years earlier, I’d started reading books to her in bed before school—everything from Kate DiCamillo and Mark Twain to J. R. R. Tolkien and Laura Ingalls Wilder. Her favorite of Wilder’s books was The Long Winter, set in South Dakota during the brutal winter of 1880–81. When the train stops delivering food to the Ingallses’ town, Pa Ingalls and the townspeople worry that they will starve until two young men, Cap Garland and Almanzo Wilder, make a dangerous trip across the prairie to bargain with a farmer for a supply of wheat. They return with enough to last the town through the winter. I told Aidan that she was my Cap Garland. At the time, I didn’t realize the dynamic I was setting up: Aidan trying to fill the character’s brave and determined shoes. But she never showed any signs of crumbling under the weight of her nickname. Actually, I think she was proud. She felt that I saw her as she wanted to be seen.

As a teenager, she’s no different than she was in grade school. She still puts 100 percent into everything she does, so much so that occasionally she can be blindly driven, believing there’s a straight line between commitment and success. Being goal-oriented and ambitious doesn’t equip one to deal with the reality that sometimes, despite one’s efforts, things don’t work out as planned. I felt that a wilderness experience would teach Aidan about adaptability. In rural Alaska, Murphy’s law is a near constant, a state of uncertainty that many kids these days are ill-equipped to handle. Between organized sports and school, their lives are planned, and managed, to a T. Someone always seems to be hovering, ready to dispense advice, problem-solving instructions, and directions. Decisions are made for them by principals, teachers, coaches, intructors, and us, their parents. Being in the woods, by contrast, is all about improvising.

My greatest hope for Aidan was that her encounter with a new world, most especially a wild one, would be one of the defining moments of her life—that the Alaskan Arctic would knee her out of her comfort zone and, simultaneously, throw her for a joyful loop. In reality, I had no idea what obstacles we would face, nor did I know how Aidan would react to them. Would we be taking on too much? Was I being unrealistic, irresponsible even, in thinking that I could take my teenage daughter to the remote wilds of the Alaskan Arctic?

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Great Adventure in the Alaskan Wilderness
By Dalgal46
My husband and I are taking our 12 and 14 year old grandchildren to Alaska for 2 weeks this summer. While we won't be roughing it in the wilderness like Aiden and her dad, this true story gave me an inside look at what it would be like to try to survive in the Arctic wild. I was very impressed at the challenges they met and how they met them together. I don't think most fathers and daughters could do this. Their lives depended on each other and how they handled themselves. I think the author was very honest in what he wrote, not all of it flattering to either himself or his daughter. But, he was able to convey the incredible depth of trust and love the the two if them were able to acquire during this incredible, often life-threatening journey. I highly recommend this book for both adults and young people who are lovers of raw adventure and personal growth that knows no boundries.

0 of 0 people found the following review helpful.
Beautiful adventure story with many themes to explore
By Amazon Customer
I read Braving It for my book club, and it proved to be a thought-provoking and illuminating read. Braving It made me reflect on how I was raising my own children and the kinds of opportunities that I would like to offer them in the wilderness. James Campbell gives his daughter Aidan the chance to push herself out of her comfort zone while doing all he can to ensure her safety. As a result of her experiences in the Alaskan wilderness, Aidan learns to be more self-reliant and confident—qualities we all want for our teenage children before they leave home. The book is beautifully written with poetic descriptions of the Alaskan landscape and offers a poignant exploration of the father-daughter relationship.

0 of 0 people found the following review helpful.
Great Alaska Adventure: A Father and Daughter
By Kathy in NJ
Loved the casual imagery and the easy story telling. Having seen some of the recent reality shows about Alaska, this book intrigued me. I went so far as to watch the first documentary about their cousins Heimo and Edna. After having seen a review of this book I knew I had to read it. It did not disappoint. I recommend this to those who love the outdoors, especially kayaking and canoeing and those interested in adventuring. At last, a good story about a young woman.

See all 96 customer reviews...

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~ Get Free Ebook Braving It: A Father, a Daughter, and an Unforgettable Journey into the Alaskan Wild, by James Campbell Doc

~ Get Free Ebook Braving It: A Father, a Daughter, and an Unforgettable Journey into the Alaskan Wild, by James Campbell Doc
~ Get Free Ebook Braving It: A Father, a Daughter, and an Unforgettable Journey into the Alaskan Wild, by James Campbell Doc